Edouard Vuillard's Oil Paintings
	Edouard Vuillard Museum November 11, 1868-June 21, 1940. French painter.
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Here are all the paintings of Aleksey Antropov 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
78062		Portrait of A.M.Izmailova	1759(1759) Oil on canvas Width: 44.8 cm (17.6 in). Height: 57.2 cm (22.5 in). cjr
75858		Portrait of an Unknown Lady	1760s Oil on canvas cjr
84407		Portrait of Anna Ivanovna Kolychev	18th century Medium Oil cyf
78031		Portrait of Anna Karlovna Vorontsova	1763 cjr
75176		Portrait of Anna Vasiliyevna Buturlina	1763(1763) Oil on canvas cjr
77014		Portrait of Anna Vasiliyevna Buturlina	Date 1763(1763) Medium Oil on canvas cyf
78921		Portrait of Catherine II, Oil, Canvass, Tver Art Gallery	Portrait of Catherine II, Oil, Canvass, Tver Art Gallery cjr
84232		Portrait of Great Duchess Ekateriana Alexeyevna	before 1762(1762) Medium Oil on canvas cyf
75971		Portrait of Maria Andreyevna Rumyantseva	1764(1764) Oil on canvas cjr
77783		Portrait of Maria Andreyevna Rumyantseva	Date 1764(1764) Medium Oil on canvas cyf
78671		Portrait of Maria Andreyevna Rumyantseva	1764(1764) Medium Oil on canvas cyf
77828		Portrait of William Fermor	1765 cjr
78356		Self-portrait	1784(1784) Oil on canvas cjr

Aleksey Antropov

(Russian: 25 March [O.S. 14 March] 1716 - 23 June [O.S. 12 June] 1795) was a Russian barocco painter active primarily in St. Petersburg, where he was born and died. He also worked in Moscow and frescoed churches in Kiev. His preferred medium was oil, but he also painted miniatures and icons. Alexei was born to a family of government official working in Armory and in the Department of Building (kantselyatiya stroeniy). Since 1732 Alexei also working at the same department under his relative A. Matveyev, since 1739 he is a member of the painting team (zhivopisnaja komanda) of the Department under Ivan Vishnyakov. As the member of the team Alexei took part in fresoeing of Summer Palace, Winter Palace, Anichkov Palace and other buildings of Saint Petersburg. He also studied portrait art from the court painter Louis Caravaque of France. In 1749 Alexei received the rank of the Painter's apprentice (zhivopisniy podmasterye) and in the end of 1750ies the rank of the Master Painter (zhivopisniy master). In 1752-1755 he worked on the interiors of the St Andrew's Church of Kiev. He supervised the installation of the iconostasis, frescoed cupolas and walls. The most prominent of his frescoes in the church is the Last Supper in the altar. He started to paint portraits before his Kiev period. The earliest known portraits of his are portraits of Elizabeth of Russia. He did not met his model but based the paintings on the works of his teacher, Louis Caravaque. Unknown lady, 1760iesIn 1755-1757 he worked in Moscow frescoeing the Golovkin palace. Here he met prince Ivan Shuvalov who supported Antropov's works for the rest of his life. In 1757 - 1759 Antropov returned to Saint-Petersburg and learned art from court painter Pietro Rotari of Italy. Historians consider his portrait of A.M. Izmaylova to be a sort of a graduation work. The 1760ies were probably the most productive period of the artist. He painted many good portraits among the Portrait of Ataman Krasnoschekov, Portrait of Rumyantseva. Ivan Shuvalov planned to move him to Moscow, so Antropov could teach art the Moscow University. For some reason this plan was canceled and Antropov instead got the job at the Synod of the Russian Orthodox Church, there he supervised icon painting, decorating of the churches, drew the portraits of church hierarchs and supervised art students. Among his apprentices was Dmitry Levitzky, who actually lived in the house of his teacher. In 1762 Peter III of Russia became the new Emperor. Antropov soon became his favorite painter. For the six month of Peter III rule Antropov painted at least four of his portraits. After the palace revolt the new Emperess, Catherine II was of much lower opinion of the talents of Antropov. At that time the artists appreciated the soft combinations of colors and some sort of a fine flattering on the ceremonial portraits.

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